Tin toy robots; Donuts; urban landscapes; outer space—these are the far-fetched and offbeat subjects one can expect to adorn the canvases of San Francisco-based artist Eric Joyner. After experimenting with several interests as painting muses, his illustrative paintings conjure feelings of nostalgia and adventure, as full of in- trigue and plot-holes as the comics he read growing up in middle-American suburbs. The toy models come to life not only in their size and scale, but in the rich attention to their details Joyner skillfully renders in paint: Metal gleams and glints, reflecting light from their eyes or the sun; rivets, seams, and control panels testify to their complexity; while stunning expressions of fur and scales of animals contrast with the cold, machined metal of the robots’ surfaces. They are simply a joy to look at, regardless of the whimsical scenarios we find them in: playing ring-toss with donuts on skyscrapers or being attacked by snakes in the jungle. Inspired by films, an ominous relationship between the robots and the donuts begins to gain presence, with their inter- actions becoming the mouthpiece for Joyner’s expressions of absurdity, irony, happiness, sadness, banality, beauty, and horror.
This piece was about the posture of the person and how it connected to a natural element like green leaves.I elongated the neck to give the figure a bird-like quality and softness. I enjoy letting the watercolor bleed and move on its own and then I go back in to add structure. Shereene Fogenay was born […]
A “holy” portrait of being a modern day artist and performer in Las Vegas. Over the course of the nearly 11 minute video loop, Heidi transforms in and out of being Elvis from inside a neon shrine. The sculpture is about identity, performance, transformation and the labor that goes into being an artist.